Flight: Part Two


I have had this dream ever since I was a child. The dream has become a sort of refrain in my life, endlessly repeating and replenishing my interest in it.

I am trying to pry into my subconscious; I am trying to decipher one of the many mysteries I hold inside me.

Waking from my flying dream is one of the most pleasant sensations I know. Upon waking I am reminded of my secret powers, and I go about the rest of my day with a foolish grin on my face.

The interpretation of dreams may be a provocative and stimulating pursuit, but one never arrives at a final solution—or the key—to his or her dream.

I suppose I can look up the symbol of “flying” in a dream-encyclopedia and find a generic, albeit satisfactory, explanation to my night-visions. It might even shed some light on the variegated herds of animals that haunt my African savannah . . .

But, on second thought, I don’t care to know the true meaning of this dream. I simply want to carry the sensation of flying. I want to carry it until I die, never knowing what the dream means or why I had it so often . . .

There is no doubt that our dreams are trying to tell us something. If you believe in the subconscious, then you’ll admit to the importance of this crystal bridge between worlds--

The vaguest memory of our dreams suggests we have access to them; a doorway, a brief crack of light. In rare occasions, a person might awake within her dream, which is called lucid dreaming.

Once I had a lucid dream. The world (of the dream) was totally fantastical, and yet I had some control within it, to move around and uncover things. I moved inside the dream as if I were playing a game, like a video game, but there were also some aspects I couldn’t control.

Don’t tell me the meaning of my flying dream. You’ll reduce it to psychological mumbo jumbo. For life is greater than psychology and its theories. And interpretations, like judgments, reduce individuals to abstract concepts. If I were to accept any interpretation of this flying dream, the mystery would be gone instantly, and the dream would lose its power of enchantment.

Sages continually remind us to “enlighten” ourselves. But the language of dreams is darkness and half-light.

What if I prefer my dreams to so-called real-life? What if I’m enjoying this ongoing hallucination, this overflowing stew of desires, dreams, and drives?

Besides, I prefer flying to walking long distances.

I will always vote in favor of dreams and darkness. I feel comfortable in the shade. I’m more likely to wander at night than during the daytime, and to follow my true desires in the wildwood. There are no pretenses at night. In your dreams you are never pretending to be someone; you just are.

During the daytime I feel the burden to be someone. I’m playing a highly-skilled part with expectations to fulfill, and there is always something that must get done. At night, in contrast, time loses its grip on me and my sense of inferiority melts away.

What is commonly called “real-life” is usually a mere trifle. I get worked up about the smallest things. Items I label with greatest importance and greatest consequence turn out to have minor importance and minor consequence.

All of my fears can be summed up: my real-life will fall apart.

What’s beautiful about dreams is that there’s nothing to fall apart because nothing has ever been static or fixed together (as we pretend to make life during the day). In a dream, the pieces are scattered to begin with. Dreams are wild, fitful, mutable, and delirious. Time does not exist, at least not in any ordinary conception of the word. And because of the emptiness and formlessness of this world, we tend to have more freedom.

But really there is no difference between real-life and dreams. Real-life is also wild, fitful, mutable, and delirious. One can even argue that time doesn’t exist here . . .

Flight: Part One


When I dive from the cliff, nobody catches me . . .

I can barely conceal the smile on my face as I glide--

The joy of being able to launch myself at once into a separate sphere, gives me a supreme satisfaction, an indescribable feeling.

Levitation is a consummate thrill. Floating is even wilder and more insane to imagine. And flight is beyond comprehension.

While I’m flying over giant clusters of people just as if they were pixels on a vast screen, I realize that my secret ability to fly has come to me in the time of an emergency.

Flying is not a part of my daily routine, you see.

I realize that something was threatening me on the ground, and that’s why I suddenly took flight. An impression of the primal scene still haunts me, vague pictures floating restlessly in the back of my mind, distant as memories.

The crowds on the ground are trying to keep up with me. They’re running after me as if they too might bolt into the air. They don’t look like pixels anymore. More like gazelles, running in loose herds; the undulant rhythm of their hind-legs beats like a drum on the African plain.

The beasts of the savanna are chasing me with delight.

For the rest of the dream, I soar over the majestic sweeping continent. Thorny acacias and palm trees spread throughout the vast swathes of grassland and marshes. I look down at the elephants which appear pensive and sad. They are monuments of sadness. Grey lugubrious figures with heavy-thick skin, brooding eternally over the land.

Then: long-necked giraffes carrying messages to the tall trees, whispering all sorts of secrets to the leafy vegetation; they chew in serene self-possession. White rhinos are transfigured into kingly creatures who command respect from the tribes.

The striking zebras graze indolently on the pastures. From my birds-eye, their vivid stripes evoke a mesmerizing contrast to the dry, parched lands.

Flying seems to be the simplest thing in the world.

Approaching the Cliff


The blank page is the only cliff I dare to stand over, fathoming the abyss with the thrilling calm of an explorer.

When did this fascination begin?

At ten years old I recall carrying little notebooks throughout the house. I would situate myself in the living room and brood over the pages, making scribbles and poetry.

My father once yelled at me for having too many journals. And that was even before I had more than two or three.

Today my bookshelves are lined with journals. There is also a place on the bottom shelf for journals that are unfinished or not marked in at all.

My mother was an avid diarist. But hers was a sketch diary which was filled with quotations from the books she read and some passages of her own.

She complained about my father in her diary.

Perhaps beginnings don’t really matter. We look back in vain, as through a kaleidoscope, attempting to piece together the mica and glass fragments of life. Each of us has a history which dissolves into colored images when we refer to it.

The past seems less like a cohesive narrative and more like a scattered photo album where the pictures are always changing places.

Strangely I’ve made it my life’s passion to weave the images of my past into books.

Life has the arc of a novel without holding the meaning inside. That’s our job, to give the novel of our lives structure and meaning, to organize the photo album and make labels, to develop the characters and the plot.

But where do urges come from? I mean the drive we have to attain our goals, to satisfy our desires. How does this drive relate to personal history?

My life has a definite goal; and there is a drive in me to fulfill that goal.

To tell you my goal would be to give away the secret. The secret I don’t even know. The secret I’m keeping from myself.

It seems God has concealed my goal; and I don’t even know if I believe in God.

If I could name this enigmatic goal, then perhaps I would be able to put down my pen, leave the computer alone, and stop checking email.

But I don’t know what the object of my existence is and that’s why I keep searching.

I accomplish trivial pursuits along the way. Occasionally I am gratified by my pursuits, literary or otherwise, but whatever I accomplish it never eclipses the desire within me to keep chasing down this larger, more luminous goal.

The goal I have no name for. The goal I cannot even describe.

The blank page holds infinite possibility. Now it occurs to me I can either fill the blank page of life with the words and descriptions of others: I can ventriloquize;

or I can attempt my own language. And describe the world as I see it. And describe myself as I feel things.

I don't follow any religion. I am out of college and have decided against graduate school. The place where I work does not require me to perform mind-numbing tasks.

I guess I've realized that I don’t have to be an echo anymore. I can be myself and speak in whatever words come to me.

If I don’t describe myself, then others will, right?

The Book of Innocence is a literal journey. I have many ideas, but ideas are mere and in life, things just happen, eluding our plans.

I stand over a great cliff, and look far ahead; where I can see nothing but the blank space of air--

the air I breathe which exilarates me and makes me want to jump.